| Title click for details |
Creators | IMSLP | Key | Opus | Composed | Instrumentation | Code |
|---|---|---|---|---|---|---|---|
| The Better Land | Frederic Hymen Cowen (composer) and Felicia Hemans (librettist) | View | Versions in A major and C major for different voice types. | voice and piano | |||
| The Pilgrims | George Whitefield Chadwick (composer) and Felicia Hemans (librettist) | View | male chorus and orchestra | ||||
| The Swan and the Skylark | Arthur Goring Thomas (composer) and Felicia Hemans (librettist) and John Keats (librettist) and Percy Bysshe Shelley (librettist) | View | alto, bass, mixed chorus and orchestra | ||||
| I Would We Had Not Met Again | Raymond Huntington Woodman (composer) and Felicia Hemans (librettist) | View | D flat major | baritone and piano alto and piano |
|||
| Bird of the Greenwood | William Vincent Wallace (composer) and Felicia Hemans (librettist) | View | A major (soprano), F major (contralto) | 1853 | soprano and piano alto and piano |
||
| Tyrolese Evensong | Cyril Scott (composer) and Felicia Hemans (librettist) | View | C major (medium voice); D major | voice and piano | |||
| Ausgewählte Lieder | Robert Franz (composer) and Heinrich Heine (librettist) and Wilhelm Osterwald (librettist) and Joseph von Eichendorff (librettist) and Otto Roquette (librettist) and Emanuel Geibel (librettist) and Wolfgang Müller von Königswinter (librettist) and Rudolf von Gottschall (librettist) and Maria Jäger (librettist) and Nikolaus Lenau (librettist) and Eduard Mörike (librettist) and Friedrich Rückert (librettist) and Johann Wolfgang von Goethe (librettist) and Karl Julius Schröer (librettist) and Theodor Fontane (librettist) and Robert Burns (librettist) and Ida Hahn-Hahn (librettist) and August Heinrich Hoffmann von Fallersleben (librettist) and Johann Ludwig Tieck (librettist) and Adelbert von Chamisso (librettist) and Paul Natorp (librettist) and Felicia Hemans (librettist) and Richard Georg Spiller von Hauenschild (librettist) and Betty Paoli (librettist) | View | voice and piano | ||||
| Invocation to the Deep | Edward James Loder (composer) and Felicia Hemans (librettist) | View | voice and piano | ||||
| Sister, Since I Met Thee Last | Stephen Ralph Glover (composer) and Felicia Hemans (librettist) | View | G major | voice and piano | |||
| The League of the Alps | Carl Busch (composer) and Felicia Hemans (librettist) | View | soprano, alto, tenor, bass, mixed chorus and orchestra | ||||
| O Skylark, For Thy Wing | Frederic Hymen Cowen (composer) and Felicia Hemans (librettist) | View | voice and piano | ||||
| Why Do I Weep | John Barnett (composer) and Felicia Hemans (librettist) | View | |||||
| We Return No More! | Henry L. Tucker (composer) and Felicia Hemans (librettist) | View | E flat major | voice and piano | |||
| The Landing of the Pilgrims | Louis Adolphe Coerne (composer) and Felicia Hemans (librettist) | View | Op.135 | baritone, mixed chorus and orchestra | |||
| The Captive Knight | Harriet Browne (composer) and Felicia Hemans (librettist) | View | A flat major | voice and piano | |||
| The Greek Exile | Frances Arkwright (composer) and Felicia Hemans (librettist) | View | E flat major | ||||
| Ave Sanctissima | Harriet Browne (composer) and Felicia Hemans (librettist) | View | E flat major | 2 voices and piano | |||
| The Treasures of the Deep | Harriet Browne (composer) and Felicia Hemans (librettist) | View | E flat major | voice and piano | |||
| Treasures of the Deep | Frances Arkwright (composer) and Felicia Hemans (librettist) | View | C major | voice and piano | |||
| The Messenger Bird | Harriet Browne (composer) and Felicia Hemans (librettist) | View | E flat major | 2 voices and piano | |||
| Tyrolese Evening Hymn | Harriet Browne (composer) and Felicia Hemans (librettist) | View | C major | voice and piano | |||
| 'Tis lone on the waters | Alfred Humphries Pease (composer) and Felicia Hemans (librettist) | View | voice and piano | ||||
| Rome! Rome! thou art no more | Harriet Browne (composer) and Felicia Hemans (librettist) | View | D major | voice and piano | |||
| The Austrian Evening Hymn | Harriet Browne (composer) and Felicia Hemans (librettist) | View | D flat major | voice and piano | |||
| The Landing of the Pilgrim Fathers | Harriet Browne (composer) and Felicia Hemans (librettist) | View | D major | voice and piano | |||
| Sacred Songs, Ancient and Modern | John Hiles (composer) and Charlotte Alington Barnard (librettist) and Joseph Edwards Carpenter (librettist) and Thomas Moore (librettist) and John Henry Newman (librettist) and Isaac Watts (librettist) and Thomas Grinfield (librettist) and Felicia Hemans (librettist) and Henry Kirke White (librettist) and Ben Jonson (librettist) and Catherine Winkworth (librettist) and Adelaide A. Procter (librettist) | View | voice and piano | ||||
| England's Dead | Harriet Browne (composer) and Felicia Hemans (librettist) | View | voice and piano | ||||
| The Better Land | Eliza Davis (composer) and Felicia Hemans (librettist) | View | D major | voice and piano | |||
| Thou'rt Passing Hence | Arthur Sullivan (composer) and Felicia Hemans (librettist) | View | A flat major | voice and piano | |||
| Ave Sanctissima | Robert Archibald Smith (composer) and Felicia Hemans (librettist) | View | 3 voices | ||||
| Extemporaries | Julian Raoul Besset (composer) and Felicia Hemans (librettist) | View | piano | ||||
| Night Hymn at Sea | Arthur Goring Thomas (composer) and Felicia Hemans (librettist) | View | C major | 2 voices and piano | |||
| I Would, We Had Not Met Again | Sebastian Bensen Schlesinger (composer) and Felicia Hemans (librettist) | View | voice and piano | ||||
| Good Night | Oliver King (composer) and Felicia Hemans (librettist) | View | E major | soprano, alto and piano female chorus and piano childrens chorus and piano |
|||
| Now a Smile, and now a Frown | Oliver King (composer) and Felicia Hemans (librettist) | View | C major | soprano, alto and piano female chorus and piano childrens chorus and piano |
|||
| The Parting Song | Harriet Browne (composer) and Felicia Hemans (librettist) | View | F major | voice and piano | |||
| The Lyre of the Sea Cave | Harriet Browne (composer) and Felicia Hemans (librettist) | View | G minor | voice and piano | |||
| There were lights and sounds of revelling | Charlotte Augusta Sneyd (composer) and Felicia Hemans (librettist) | View | F major | voice and piano | |||
| The Italian Girl's Prayer | George Washington Hewitt (composer) and Felicia Hemans (librettist) | View | C minor | voice and piano | |||
| 6 Gesänge | Adolf Jensen (composer) and Felicia Hemans (librettist) | View | Op.53 | voice and piano | |||
| Come to the sun-set tree | Thomas Bloomer Phipps (composer) and Felicia Hemans (librettist) | View | B flat major | voice and piano |
©2024 David P. Anderson