| Composition |
| O lieb, so lang du lieben kannst (No.3) from Arrangement of O lieb, so lang du lieben kannst (No.3) from Liebesträume, S.541 (Liszt, Franz) for organ |
| Grande valse from Arrangement of Grande valse from Ruses d'amour, Op. 61 (Glazunov, Aleksandr) for piano 4 hands |
| Original version: "Good Morning to All" (1893) from Happy Birthday to You (Hill, Mildred) |
| Arrangement of Happy Birthday to You (Hill, Mildred) for voices and piano |
| In the Bottoms (Dett, Robert Nathaniel) |
| In the Bottoms (Dett, Robert Nathaniel) |
| His Song (No.2) from Arrangement of His Song (No.2) from In the Bottoms (Dett, Robert Nathaniel) for organ |
| Credo, Op. 53 (Weidig, Adolf) |
| The Goblin and the Mosquito (Price, Florence) |
| 7 Melodious Pieces, Op. 74 (Wright, Nannie Louise) |
| Arrangement of Violin Concerto No. 1, Op. 25 (Burleigh, Cecil) for violin and piano |
| Berceuse in D-flat major (Dickinson, Clarence) |
| If (Williams, Mary W.) |
| Thistledown (Hill, Mildred) |
| Just for Today (Abbott, Jane Bingham) |
| Organ Sonata No. 3, Op. 45 (Wrightson, Herbert James) |
| The Children's Festival, Op. 21 (Schoenefeld, Henry) |
| Festoso, Op. 57 No. 1 (Avery, Stanley Robert) |
| The Lord Bless You and Keep You (Lutkin, Peter Christian) |
| Alone with God (Abbott, Jane Bingham) |
| 12 Chorale Preludes on Gregorian Chant Themes, Op. 8 (Demessieux, Jeanne) |
| Studies in Shifting for the Violin (Trott, Josephine) |
| Suite in Miniature (De Lamarter, Eric) |
| Joy (Scott, Beatrice MacGowan) |
| 72 Interludes (Nevin, Gordon Balch) |
| In Memoriam (Nevin, Gordon Balch) |
| Rural Sketches (Nevin, Gordon Balch) |
| Sketches of the City (Nevin, Gordon Balch) |
| Sonata Tripartite (Nevin, Gordon Balch) |
| Will O' the Wisp (Nevin, Gordon Balch) |
| Piano Solo Version from The Wood Nymph's Harp (Rea, Florence P.) |
| Synthetic Series (Goodrich, Florence A.) |
| Musical Sketches, Op. 11 (Mokrejs, John) |
| Fundamentals of Piano Technique (Konyus, Lev) |
| Scènes de bal (Rogers, James Hotchkiss) |
| From Old Japan (Salter, Mary Turner) |