| Composition |
| Missa L’homme armé (Ockeghem, Johannes) |
| Practica musicae (Gaffurius, Franchinus) |
| Dodecachordon (Glareanus, Henricus) |
| De arte canendi (Heyden, Sebald) |
| De arte canendi (Heyden, Sebald) |
| Instrumental canons from Compendium musicae (Gumpelzhaimer, Adam) |
| Clausula 'Vir(-go)' from Magnus Liber Organi (Various) |
| Trent Codices (Various) |
| Bicinia gallica, latina, germanica, Tomus 1 (Rhau, Georg) |
| Canzoni francese a due voci, Libro 1 (Gardano, Antonio) |
| Missa L'homme armé super voces musicales, NJE 6.3 (Josquin Desprez) |
| Dona i ardenti (Dufay, Guillaume) |
| Anima mea liquefacta est (Power, Leonel) |
| Monsieur (Anonymous) |
| Ce j'eusse fait ce que je pence (Lantins, Hugo de) |
| Vince con lena (Bartolomeo da Bologna) |
| Contrapuncti (Tinctoris, Johannes) |
| Fragmentum (Anonymous) |
| Ideoque quod nascetur (Isaac, Heinrich) |
| Musica (Alcuin) |
| Piae vocis laudes (Isaac, Heinrich) |
| Dico ego opera (Isaac, Heinrich) |
| Amans ames (Cordier, Baude) |
| Monacho qua mente sit psallendum (Anonymous) |
| Missa 'Si dedero' (Obrecht, Jacob) |
| Bicinium (Bellermann, Heinrich) |
| Fuga in subdiapente (Anonymous) |
| De touz max (De Champagne, Thibaut) |