| Title click for details |
Creators | IMSLP | Key | Opus | Composed | Instrumentation | Code |
|---|---|---|---|---|---|---|---|
| The Garland ("By Celia's Arbour All the Night") | Felix Mendelssohn (composer) and Thomas Moore (librettist) | View | MWV K 44 | 1829 | voice and piano | ||
| 4 Irische Lieder | Ignaz Brüll (composer) and Thomas Moore (librettist) | View | Op.77 | voice and piano | |||
| Elégie | Henri Duparc (composer) and Thomas Moore (librettist) | View | F minor | 1874 | voice and piano | ||
| Bon-Bon Suite | Samuel Coleridge-Taylor (composer) and Thomas Moore (librettist) | View | Op.68 | baritone, mixed chorus and orchestra | |||
| 20 Irish Songs | Ludwig van Beethoven (composer) and Thomas Moore (librettist) | View | WoO 154 | 1812 | voice, violin, cello and piano 2 voices, violin, cello and piano |
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| Irlande | Hector Berlioz (composer) and Thomas Moore (librettist) and Thomas Gounet (librettist) | View | Œuvre 2 | 1829 | tenor and piano tenor, baritone and piano soprano, alto and piano tenor, bass, male chorus and piano tenor, male chorus and piano soprano, mixed chorus and piano tenor, mixed chorus and piano soprano and piano |
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| La belle voyageuse | Hector Berlioz (composer) and Thomas Moore (librettist) and Thomas Gounet (librettist) | View | A major | H 42 (3 extant versions) | 1829 | mezzosoprano and piano mezzosoprano and orchestra female chorus and orchestra |
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| Chant sacré | Hector Berlioz (composer) and Thomas Moore (librettist) and Thomas Gounet (librettist) | View | A flat major | Op.2 No.6 | 1829 | mixed chorus and piano mixed chorus and orchestra |
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| Hélène | Hector Berlioz (composer) and Thomas Moore (librettist) and Thomas Gounet (librettist) | View | G major | Op.2 No.2 | 1829 | 2 tenors, 2 basses and piano male chorus and piano 2 tenors, 2 basses and orchestra male chorus and orchestra |
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| A Canadian Boat Song | Maurice Arnold (composer) and Thomas Moore (librettist) | View | B major | mixed chorus and piano | |||
| The Young May Moon | Charles Harford Lloyd (composer) and Thomas Moore (librettist) | View | C major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
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| 2 Poems after Texts by Thomas Moore | Adolf Terschak (composer) and Thomas Moore (librettist) | View | Op.173 | male chorus | |||
| O Say Thou Best and Brightest | Charles Wels (composer) and Thomas Moore (librettist) | View | A major | voice and piano | |||
| This Earth Were Heaven | John Lewis Browne (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Calm Be Thy Sleep | Louis Elbel (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Echoes. A Four-Part Song. | Arthur Sullivan (composer) and Thomas Moore (librettist) | View | E major | soprano, alto, tenor, bass and piano mixed chorus and piano |
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| Echoes | Frederick Brandeis (composer) and Thomas Moore (librettist) | View | G minor | mixed chorus | |||
| When he who adores thee | Herbert Hughes (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| 6 Irish Folksongs | Charles Villiers Stanford (composer) and Thomas Moore (librettist) | View | Op.78 | mixed chorus | |||
| Mary's Tears | Oliver Shaw (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| All things fair and bright are thine | Oliver Shaw (composer) and Thomas Moore (librettist) | View | E flat major | 2 voices and piano | |||
| Moore's Irish Melodies | Various (composer) and Thomas Moore (librettist) | View | voice and piano 2 voices and piano 3 voices and piano soprano, alto, tenor, bass and piano piano 4 hands |
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| I'll Weep With Thee | John Augustus Darling (composer) and Thomas Moore (librettist) | View | C major | voice and piano | |||
| The Fairy Boat | Adolph Martin Foerster (composer) and Thomas Moore (librettist) | View | E major | Op.4 | soprano, alto, tenor, bass and piano mixed chorus and piano |
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| A Series of Sacred Songs, Duetts and Trios, the words by Thomas Moore Esqr. the Music composed and selected by Sir John Stevenson, Mus.Doc. and Mr. Moore | John Stevenson (composer) and Thomas Moore (librettist) | View | voice and piano 2 voices and piano 3 voices and piano |
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| The Minstrel Boy | Harry Rowe Shelley (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| How Dear To Me the Hour | Alicia Adelaide Needham (composer) and Thomas Moore (librettist) | View | G major | mixed chorus | |||
| When Love is Kind | Amelia Lehmann (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Dance the Romaika | Harriet Ware (composer) and Thomas Moore (librettist) | View | F major | voice and piano | |||
| Fairy Bark | Harriet Ware (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| The Steersman's Song | Arthur Bergh (composer) and Thomas Moore (librettist) | View | B flat major | male chorus | |||
| Oh Where Art Thou Dreaming | Frederic Abel (composer) and Thomas Moore (librettist) | View | E flat major | soprano and piano | |||
| Whene'er I See Those Smiling Eyes | Mrs. George H. Andrews (composer) and Thomas Moore (librettist) | View | F major | voice and piano | |||
| The Harp That Once Through Tara's Hall | Anonymous (composer) and Thomas Moore (librettist) | View | D major | voice and piano | |||
| The Fire-Worshippers | Granville Bantock (composer) and Thomas Moore (librettist) | View | voices, mixed chorus and orchestra | ||||
| Two Songs from Lalla Rookh | Georg Gerson (composer) and Thomas Moore (librettist) | View | A minor, A major | G.179, 180 | 1821 | voice and piano | |
| The Time I’ve Lost In Wooing | Georg Gerson (composer) and Thomas Moore (librettist) | View | B flat major | G.187 | 1822 | voice and piano | |
| Then, Fare Thee Well | Georg Gerson (composer) and Thomas Moore (librettist) | View | G minor | G.189 | 1822 | voice and piano | |
| Old Irish Air: "The harp that once thro’ Tara’s halls" | Paul Hindemith (composer) and Thomas Moore (librettist) | View | 1940 | soprano, alto, tenor, bass, harp, piano and strings | |||
| 9 English Songs | Paul Hindemith (composer) and Charles Wolfe (librettist) and Thomas Moore (librettist) and Percy Bysshe Shelley (librettist) and Samuel Lover (librettist) and Francis Thompson (librettist) and William Blake (librettist) and Walt Whitman (librettist) and Robert Herrick (librettist) and William Oldys (librettist) | View | 1942 | voice and piano | |||
| When Time, who steals our years away | Thomas Moore (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Oh Lady Fair! | Thomas Moore (composer) and Thomas Moore (librettist) | View | 3 voices and piano | ||||
| Songs and Glees | Thomas Moore (composer) and Thomas Moore (librettist) | View | voice and piano 3 voices |
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| Tell Me Not of Joys Above | Georg Gerson (composer) and Thomas Moore (librettist) | View | A minor | G.179 | 1821 | voice and piano | |
| A Spirit There Is | Georg Gerson (composer) and Thomas Moore (librettist) | View | A major | G.180 | 1821 | voice and piano | |
| A Selection of Popular National Airs | Various (composer) and Thomas Moore (librettist) | View | voice and piano 4 voices and piano |
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| Fly to the Desert | George Kiallmark (composer) and Thomas Moore (librettist) | View | C major | voice and piano | |||
| Fanny Dearest | Thomas Moore (composer) and Thomas Moore (librettist) | View | E major | voice and piano | |||
| Araby's Daughter | George Kiallmark (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| I Ne'er On That Lip | Carlo Bassini (composer) and Thomas Moore (librettist) | View | C major | voice and piano | |||
| I'll Let You | Carlo Bassini (composer) and Thomas Moore (librettist) | View | C major | voice and piano | |||
| Oft in the Stilly Night | John Rogers Thomas (composer) and Thomas Moore (librettist) | View | C major | 3 voices and piano 4 voices and piano |
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| Two Poems by Thomas Moore | João Carlos Camacho (composer) and Thomas Moore (librettist) | View | Various | 2015 | female chorus | ||
| The Wood Pecker | Michael Kelly (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| Song of the Nubian Girl | Luigi Denza (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Oh! Breathe Not His Name | Charles Wood (composer) and Thomas Moore (librettist) | View | G flat major | ||||
| Good Night! | Emil Sjögren (composer) and Thomas Moore (librettist) | View | C major | 1899 | voice and piano | ||
| A Canadian Boat-Song | Thomas Moore (composer) and Thomas Moore (librettist) | View | F major | 3 voices and piano | |||
| If thou wouldst have me sing and play | Thomas Moore (composer) and Thomas Moore (librettist) | View | D major | voice and piano | |||
| Rose! thou art the sweetest flower | Frances Arkwright (composer) and Thomas Moore (librettist) | View | C major | ||||
| The Separation | James Gaspard Maeder (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Oft, In The Stilly Night | Roy Talbot (composer) and Thomas Moore (librettist) | View | A flat major | 1970 | 4 voices male chorus |
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| Believe Me If All Those Endearing Young Charms | Catharina Josepha Pratten (composer) and Thomas Moore (librettist) | View | |||||
| The Gypsy Prince | Michael Kelly (composer) and Thomas Moore (librettist) | View | voices and orchestra | ||||
| Sacred Songs, Ancient and Modern | John Hiles (composer) and Charlotte Alington Barnard (librettist) and Joseph Edwards Carpenter (librettist) and Thomas Moore (librettist) and John Henry Newman (librettist) and Isaac Watts (librettist) and Thomas Grinfield (librettist) and Felicia Hemans (librettist) and Henry Kirke White (librettist) and Ben Jonson (librettist) and Catherine Winkworth (librettist) and Adelaide A. Procter (librettist) | View | voice and piano | ||||
| Horch! Die Vesper-Hymne Klingt, Op. 153 | Franz Paul Lachner (composer) and Thomas Moore (librettist) | View | Op.153 | 2 male chorus | |||
| The Harp that Once Through Tara's Halls | John Stevenson (composer) and Thomas Moore (librettist) | View | |||||
| Willst du mein sein | Erik Meyer-Helmund (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Thou Hast Sent Me a Flowery Wreath | Henry Kleber (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| Tis the Last Rose of Summer | William Dressler (composer) and Thomas Moore (librettist) | View | F major | voice and piano voice and harp |
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| Association Hymn Book | YMCA (composer) and Sarah Flower Adams (librettist) and Cecil Frances Alexander (librettist) and Saint Anatolius (librettist) and Harriet Auber (librettist) and Henry Williams Baker (librettist) and John Bakewell (librettist) and Sabine Baring-Gould (librettist) and Bernard Barton (librettist) and Benjamin Beddome (librettist) and Louis FitzGerald Benson (librettist) and Edward Henry Bickersteth (librettist) and Philip Paul Bliss (librettist) and John Ernest Bode (librettist) and Horatius Bonar (librettist) and Jane Laurie Borthwick (librettist) and John Bowring (librettist) and Matthew Bridges (librettist) and William Cullen Bryant (librettist) and Phoebe Cary (librettist) and John Cawood (librettist) and John Cennink (librettist) and Alexander Clark (librettist) and Elizabeth Cecelia Clephane (librettist) and Samuel O'Malley Cluff (librettist) and Bernard de Cluny (librettist) and Elizabeth Harris Codner (librettist) and George Cooper (librettist) and Anne Ross Cousin (librettist) and William Cowper (librettist) and Arthur Cleveland Coxe (librettist) and George Croly (librettist) and Fanny Crosby (librettist) and William Chatterton Dix (librettist) and William Orcutt Cushing (librettist) and Edward Arthur Dayman (librettist) and George Washington Doane (librettist) and Philip Doddridge (librettist) and Sarah Doudney (librettist) and Henry Downton (librettist) and George Duffield Jr. (librettist) and James Edmeston (librettist) and John Ellerton (librettist) and Charlotte Elliott (librettist) and Emily Elizabeth Steele Elliott (librettist) and Frederick William Faber (librettist) and Reverend John Fawcett (librettist) and Sarh Laurie Borthwick Findlater (librettist) and Joseph Henry Gilmore (librettist) and Sir Robert Grant (librettist) and Joseph Grigg (librettist) and Eliza Hamilton (librettist) and Arabella Katherine Hankey (librettist) and Lewis Hartsough (librettist) and Thomas Hastings (librettist) and Frances Ridley Havergal (librettist) and Hugh Reginald Haweis (librettist) and Annie Sherwood Hawks (librettist) and George Heath (librettist) and Reginald Heber (librettist) and Edward Hopper (librettist) and William Walsham How (librettist) and Ralph Erskine Hudson (librettist) and William Hurn (librettist) and John Keble (librettist) and George Keith (librettist) and Thomas Kelly (librettist) and Thomas Ken (librettist) and Mary Artemisia Lathbury (librettist) and Samuel Longfellow (librettist) and William Dunn Longstaff (librettist) and Martin Luther (librettist) and Henry Francis Lyte (librettist) and Norman Macleod (librettist) and Daniel March (librettist) and Samuel Medley (librettist) and John Samuel Bewley Monsell (librettist) and James Montgomery (librettist) and Thomas Moore (librettist) and Edward Mote (librettist) and Gerard Moultrie (librettist) and John Mason Neale (librettist) and John Henry Newman (librettist) and John Newton (librettist) and James Nicholson (librettist) and Horatio Richmond Palmer (librettist) and Ray Palmer (librettist) and William Williams Pantycelyn (librettist) and Edward Perronet (librettist) and Sylvanus Dryden Phelps (librettist) and Folliott Sandford Pierpoint (librettist) and Thomas Joseph Potter (librettist) and Elizabeth Prentiss (librettist) and Rossiter Worthington Raymond (librettist) and Andrew Reed (librettist) and John Henry Sammis (librettist) and Ira David Sankey (librettist) and Joseph Medlicott Scriven (librettist) and Robert Seagrave (librettist) and Edmund Hamilton Sears (librettist) and William Fiske Sherwin (librettist) and William True Sleeper (librettist) and Samuel Francis Smith (librettist) and Anne Steele (librettist) and Samuel Stennett (librettist) and Samuel John Stone (librettist) and Augustus Toplady (librettist) and Lawrence Tuttiett (librettist) and John Hart Stockton (librettist) and Martha Matilda Stockton (librettist) and Samuel John Stone (librettist) and Hugh Stowell (librettist) and Alfred Tennyson (librettist) and Godfrey Thring (librettist) and Dorothy Ann Thrupp (librettist) and Henry Twells (librettist) and William Walford (librettist) and Annie Louisa Walker (librettist) and James Cowden Wallace (librettist) and George Augustus Warburton (librettist) and Henry Ware (librettist) and Anna Bartlett Warner (librettist) and Isaac Watts (librettist) and Marcus Morris Wells (librettist) and Charles Wesley Sr. (librettist) and Henry Kirke White (librettist) and Catherine Winkworth (librettist) and Anna Laetitia Waring (librettist) and Frederick Whitfield (librettist) and William Whiting (librettist) and John Greenleaf Whittier (librettist) and Daniel Webster Whittle (librettist) and Helen Maria Williams (librettist) and William Ellsworth Witter (librettist) and Christopher Wordsworth (librettist) and John Henry Yates (librettist) | View | male chorus | ||||
| The Timeworn Lute | George Kingsley (composer) and Thomas Moore (librettist) | View | F major | voice and piano | |||
| I Knew By The Smoke That So Gracefully Curl'd | Joe Wilson (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| The Lighthouse | Joe Wilson (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| The Tear | Ferdinand Hiller (composer) and Thomas Moore (librettist) | View | F major | 1838 | voice and piano | ||
| Motet for Four Voices | Horace Hollinrake (composer) and Thomas Moore (librettist) | View | B flat major | 1925 | soprano, alto, tenor and bass | ||
| Here in this lone little wood | John Stevenson (composer) and Thomas Moore (librettist) | View | F major | voice and piano | |||
| Come Take the Harp | John Stevenson (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| Those Ev'ning Bells | John Stevenson (composer) and Thomas Moore (librettist) | View | F major | voice and piano | |||
| The Maid of Marlivale | John Stevenson (composer) and Thomas Moore (librettist) | View | C major | voice and piano voice and harp |
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| Mary, I believed thee true | John Stevenson (composer) and Thomas Moore (librettist) | View | C major | voice and piano voice and harp |
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| The Timid Tear | Augustus Barry (composer) and Thomas Moore (librettist) | View | E flat major | voice and piano | |||
| She is Far from the Land | Frank Lambert (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Ship Ahoy! | Peter K. Moran (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| The Evening Gun | Charles Zeuner (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| But who shall see the glorious day | George James Webb (composer) and Thomas Moore (librettist) | View | A major | voice, mixed chorus and piano | |||
| Farewell Bessy | Thomas Moore (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Sappho at her Loom | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | E major | voice and piano | |||
| There's nothing true but heaven | Oliver Shaw (composer) and Thomas Moore (librettist) | View | F major | voice and piano | |||
| The bird let loose | Oliver Shaw (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| 2 Irische Lieder | Josef Gabriel Rheinberger (composer) and Thomas Moore (librettist) | View | JWV 141 | 1864 | voice and piano | ||
| Fill high the cup | William Marshall (composer) and Thomas Moore (librettist) | View | B minor | voice and piano | |||
| Finden und Scheiden | Anton Hackel (composer) and Thomas Moore (librettist) | View | Op.80 | 2 voices and piano | |||
| Bendemeer's Stream | Alfred Scott Gatty (composer) and Thomas Moore (librettist) | View | |||||
| The Minstrel Boy | Sebastian Bensen Schlesinger (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Mary, I believe thee true | Thomas Moore (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Calm Thy Sleep | Thomas Moore (composer) and Thomas Moore (librettist) | View | B flat major | voice and piano | |||
| When Time was Entwining | John Wall Callcott (composer) and Thomas Moore (librettist) | View | G major | 1803 | soprano, alto and bass mixed chorus |
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| A Finland Love Song | Maude Valérie White (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| Serenade | Isaac Aaron Oppenheim (composer) and Thomas Moore (librettist) | View | A flat major | Op.10 No.2 | 1889 | voice and piano | |
| When Thou Art Nigh | Isaac Aaron Oppenheim (composer) and Thomas Moore (librettist) | View | A major | Op.10, No.3 | 1889 | voice and piano | |
| A Task of Love | Isaac Aaron Oppenheim (composer) and Thomas Moore (librettist) | View | E flat major | Op.4 | voice and piano | ||
| Love and Hope | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | G major | voice and piano | |||
| Love Is a Hunter Boy | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | G major | voice and piano | |||
| If I Speak to Thee in Friendship's Name | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | D major | voice and piano | |||
| Tho' 'Tis All But a Dream | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | D major | voice and piano | |||
| I Wish I Was by That Dim Lake | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | A minor | voice and piano | |||
| M. P. | Thomas Moore (composer) and Thomas Moore (librettist) | View | voices and orchestra | ||||
| See, the Dawn from Heaven | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | G major | 2 sopranos, tenor and piano | |||
| To Greece We Give Our Shining Blades | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | F major | soprano, tenor, bass and piano | |||
| The Gazelle | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | F major | 2 voices and piano | |||
| The Phantom Ship | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | F major | voice and piano 3 voices and piano |
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| Wind Thy Horn, My Hunter Boy | Henry Rowley Bishop (composer) and Thomas Moore (librettist) | View | E flat major | voice and piano | |||
| Friend of my soul | Edward Walter Hamilton (composer) and Thomas Moore (librettist) | View | G major | 1873 | 3 sopranos and piano | ||
| Spring and Autumn | John Thomas (composer) and Thomas Moore (librettist) | View | D major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
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| Nourmahal's Song | Samuel Coleridge-Taylor (composer) and Thomas Moore (librettist) | View | voice and piano voice and orchestra |
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| 'Tis Love that murmurs in my Breast | John Stevenson (composer) and Thomas Moore (librettist) | View | E major | 3 voices | |||
| Buds of roses, virgin flowers | John Stevenson (composer) and Thomas Moore (librettist) | View | E flat major | alto, 2 tenors and bass | |||
| When First I Met Thee | John Stevenson (composer) and Thomas Moore (librettist) | View | B major | voice and piano | |||
| My Lodging Is On The Cold Ground | Matthew Locke (composer) and Thomas Moore (librettist) | View | 1665 | ||||
| Farewell but when ever you welcome the hour | Joseph Benedict (composer) and Thomas Moore (librettist) | View | voice and piano | ||||
| 2 Songs | Adolph Martin Foerster (composer) and Thomas Moore (librettist) | View | Op.74 | voice and piano |
©2024 David P. Anderson