| Composition |
| The Double Disguise, Op. 32 (Hook, James) |
| The Willow (Davy, John) |
| Yes, many a maid with ev'ry charm (Masi, Girolamo) |
| The Lass of Liverpool (King, Matthew Peter) |
| The Poor Orphan Maid (King, Matthew Peter) |
| Say, shepherds, have you seen a lamb? (King, Matthew Peter) |
| Thy charms have long enslav'd my heart (King, Matthew Peter) |
| The Tomb of my Fathers (King, Matthew Peter) |
| Only tell her that I love (Corri, Domenico) |
| In the gay dawn of life (Kelly, Michael) |
| The Lover's Vision (Braham, John) |
| Emma of the Dale (Reeve, William) |
| Love and Friendship (Reeve, William) |
| Maria (Addison, John) |
| 12 Airs with Variations (Stamitz, Anton) |
| As lately I sat by the nymph I adore (Busby, Thomas) |
| Advice to Mary (Lanza, Gesualdo) |
| The Complaint (Lanza, Gesualdo) |
| I'll Sing to Cheer my Megan (Hook, James) |
| The Villager's Delight (Lanza, Francesco Giuseppe) |
| Dulseanne Park (Lanza, Francesco Giuseppe) |
| Lanza's Hornpipe (Lanza, Francesco Giuseppe) |
| Waltz for the Year 1808 (Kollmann, Augustus Frederic Christopher) |
| Reel and Waltz (Lanza, Francesco Giuseppe) |
| The Death of Crazy Jane (Hook, James) |
| Come Cloe and give me sweet kisses (Kitchiner, William) |
| In vain my serious air you chide (Kitchiner, William) |
| Oh forbear to bid me slight her (Kitchiner, William) |