| Title | Duos for treble recorder and violin |
| Creators | Martin Grayson (composer) |
| Opus | Op.34 |
| Instrumentation | recorder and violin |
| Number of movements | — |
| Keys | Atonal |
| Composed | 2011 |
| First published | 2011 |
| Dedication | Carole Grayson |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Duets |
| Period | Modern |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Suite | — | — | — |
| Invention | — | — | — |
| Reminicences of a Piano Piece (Op.25) | — | — | — |
| Moto Perpetuo | — | — | — |
| Fantasia on a Theme by Telemann | — | — | — |
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | No.1: Suite | flute and alto flute |
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | No.1: Suite | — | — | — | Playing score · view Engraving files (Sibelius) · view |
| view | No.2: Invention | — | — | — | Playing Score · view |
| view | No.3: Reminicences of a Piano Piece (Op.25) | — | — | — | Palying Score · view Treble Recorder Part · view Violin Part · view |
| view | No.4: Moto Perpetuo | — | — | — | Complete Score · view Treble Recorder Part · view Violin Part · view |
| view | No.5: Fantasia on a Theme by Telemann | — | — | — | Complete Score · view Treble Recorder Part · view Violin Part · view |
| view | No.1: Suite | Arrangement for flute and alto flute | — | — | Score · view Parts · view |
| Details | Type | Section | Files |
|---|---|---|---|
| view | Synthesized | No.1: Suite | Computer synthesised performance · file |
| view | Synthesized | No.1: Suite | Treble Recorder and Violin · file Flute and Alto Flute · file |
| view | Synthesized | No.2: Invention | Synthesized performance · file |
| view | Synthesized | No.3: Reminicences of a Piano Piece (Op.25) | Synthesized performance · file |
| Average rating | — |
| Average rating | — |
People who liked this also liked:
©2024 David P. Anderson